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Visual anthropology and sensory ethnography in contemporary Sardinia: a film of a different kind
Authors:Martin Thom
Institution:1. martin.thom1@btinternet.com
Abstract:Lorenzo Valerio (1810–1865), though a key figure in Piedmontese and Italian politics, a newspaper editor of note and a leading light of both the Associazione Agraria and the Associazione Italo-Slava, has not been accorded in recent years the attention he merits. With the publication, however, of the first four volumes of his correspondence,? ?Lorenzo Valerio, Carteggio (1825–1865), four volumes, Fondazione Luigi Einaudi, Turin 1991–2003, assembled by Luigi Firpo, Guido Quazza and Franco Venturi, with vol. 1 (1825–1841) edited by Luigi Firpo and Adriano Viarengo, and vol. II (1842–1847), vol. III (1848) and vol. IV (1849) edited by Adriano Viarengo. it is now possible to map more precisely Valerio's activities and influence, in Risorgimento Italy and far beyond it. These letters provide their principal editor, Adriano Viarengo, with the opportunity to review a number of crucial historiographical questions in Risorgimento scholarship, among them, the nature of moderate hegemony, the political vision of the Sinistra subalpina, and the complex relations between Italian patriots and Slav Romantic nationalists active within the Austrian Empire. This article is designed both to portray Valerio and his world, and to reflect upon the contribution Viarengo has made, whether in his introductions to the correspondence or in his ancillary essays, to the study of the Risorgimento.
‘…?a good enough sort, but neither fish nor fowl?…’

Giuseppe Mazzini Letter, 6 March 1851, to his mother]
Keywords:visual anthropology  ethnography  Sardinian culture  individuality  corporeal images
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