Modern witnesses: foreign correspondents, geopolitical vision, and the First World War

The First World War was the first modern, mediated conflict. In this paper I argue that British correspondents on the Western front attempting to accurately witness the war encountered a crisis of representation and visuality. They occupied a particularly unstable position between the many sites and points of view within a cubist landscape of shattered geographies and unstable boundaries. Their writings, though rich in masculinist and nationalistic accounts of heroism, also contain a newer perspective characterized by the failure to fit these older narratives into the inhuman, incomprehensible spaces of modern war.