辽代庆东陵壁画研究

本文以相关的辽代皇室成员的墓葬作为背景资料,通过分析辽代庆东陵壁画的分布位置、象征意义、构图布局和风格样式,研究其题材内容所呈现的社会意识与习俗,象征意义与审美风格,及其绘画艺术的特色,力求勾勒出辽墓壁画的变革与传承,考察以圣宗和兴宗为代表的辽代最高阶层如何在汉地传统的墓葬形式中反映出民族间文化艺术上的交流与互动。

A Study of the Tomb Murals at the Qingdongling Mausolea of the Liao Dynasty

This article presents background information on the burials of different members of the Liao royal household, and through an analysis of the arrangement, symbolic meaning, compositional layout and artistic styles of these works, the author studies the social consciousness and customs which these themes demonstrate, as well as the symbolic signi?cance, aesthetic style, and painting techniques, in an energetic quest to delineate the evolution and transmission of wall paintings in Liao tombs. The author also examines how the highest social echelons of the Liao Dynasty, using Emperors Shengzong and Xingzong as representatives, drew on and interwove ethnic folk art elements in the burial form adopted in traditional Han areas.