Borders and banknotes: the national perspective

Replacing a banknotes series is meaningful for politicians and the general public even today, while most transactions are executed through virtual means. The choice of images carried on banknotes represents the limits of the State's sovereign border and becomes a means of banal nationalism. Moreover, by utilising scopic regimes, the hegemony portrays the cultural and political borders: historical figures from the country's past on one side, and an imagined or physical border, expressed through the illustrations on the back. This paper addresses the latter and examines the case of the State of Israel. The analysis of sites and landscapes that appear on national banknotes can decipher the construction process of a ‘territorial identity’ which, along with struggles for maintaining identity, provides the basis of the nation‐state. Using Williams's typology of selective tradition, we argue that Israeli banknotes demonstrate a mixture of residual and new cultural content.