A discussion of magic and medicines in East African iron working: actors and artefacts in technology

Through an inquiry into locally constructed, pre‐industrial Tanzanian iron smelting practices this article looks beyond social representation of technologies and suggests a more nuanced perspective than the more familiar rituals of transformation and gendered procreative paradigm. It is demonstrated that among the Pangwa and Fipa peoples iron smelting symbolism was not merely a social representation of “something” else and of something of greater significance such as religion, economy and politics, rather there were no real distinctions between technology and other spheres of life; there was no (ontological) difference between humans and non humans. Drawing on inspiration from phenomenology and semantics, as well as Actor Network Theory, I will argue that among Fipa and Pangwa iron workers the use of magic and medicines, as well as an overall thermodynamic conception of the body, was transferred from personal and collective lived experience by metaphorical imagination to the iron smelting furnaces.