Late medieval copper alloying practices: a view from a Parisian workshop of the 14th century AD

161 late medieval copper-based day-to-day items have been analysed, mostly consisting of small artefacts such as dress fittings. The items were all recently excavated from a 14th century AD metallurgical workshop located in Paris. Eight well-defined copper alloys have been identified that refer to various constraints, the most important one being economics. According to the model proposed, most of the alloys were obtained by dilution of a fresh brass master alloy by scrap metal containing small amounts of zinc, tin and lead. Pure lead was added separately in relatively large quantities, with a limit of 6 wt% Pb marking the boundary between leaded and unleaded alloys. It has been found that the less the cost of the artefact, the more the fresh brass is diluted. For the medium-size castings such as cast vessels, alloys containing large quantities of lead or alloys rich in antimony were used. Such complex alloying strategy pertains more to a small industrial-like plant organisation rather than to craftsman activity, as further supported by a variety of archaeological and historical evidence.