| Abstract: | This essay analyzes the carved footprints in the Iron Age temple at ‘Ain Dara, Syria from a broadly comparative perspective. This methodology is necessitated by the fact that footprint iconography is very rare in ancient Near Eastern art. The diverse examples utilized in this paper to help explicate the footprints at ‘Ain Dara range from the Footprints of the Buddha (Buddhapadas) to the sullied feet of Jesus. Through analysis of footprint iconography in other religious contexts, I have drawn conclusions concerning the form and function of the temple footprints at ‘Ain Dara that have escaped other scholars of the ancient Near East. |
