| Abstract: | This essay examines the shifts and recalibrations in the Latin Americanist musical production at stake in the relation between Jazz at Lincoln Center and the Afro Latin Jazz Orchestra, institutions sharing an abiding commitment to the past but differing in how they conceive and enact time, space, and place. I identify a set of figures consistently and constantly invoked by contemporary actors to create symbolic and material economies grounded less in a tradition than in the differing relations that the living held with their specters, past, present, and future. |
