| 论金圣叹批评本《西厢记》的艺术体制 |
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| 引用本文： | 姚颖.论金圣叹批评本《西厢记》的艺术体制[J].古籍整理研究学刊,2007(4):64-68. |
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| 作者姓名： | 姚颖 |
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| 作者单位： | 北京师范大学,教育学院,北京,100875 |
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| 摘 要： | 金圣叹批评本《西厢记》作为一个独立的《西厢记》评点本,在清代出现了诸多的版本,引起了戏曲界和出版界的广泛兴趣,这是一个值得探讨的现象。本文试从金圣叹批评本《西厢记》的结构体制出发,分别从其评点的主要形式——总批、节批和夹批,讨论其表现出的艺术特征,并简要分析"金批西厢"评点的思想内容和方法技巧,对其在思想和艺术上的得失做出了一定的评价。
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| 关 键 词： | 金圣叹 <西厢记>批评本 结构体例 艺术特点 |
| 文章编号： | 1009-1007（2007）04-0064-05 |
| 修稿时间： | 2005-11-24 |
Discussing the Artistic Configuration of the Edition of The Story in West Room Criticized by JinShengtan |
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| YAO Ying.Discussing the Artistic Configuration of the Edition of The Story in West Room Criticized by JinShengtan[J].Journal of Ancient Books Collation and Studies,2007(4):64-68. |
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| Authors: | YAO Ying |
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| Institution: | Education College of Beijing Normal University, Beijing, 100875 China |
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| Abstract: | The Story in West Room criticized by JinShengtan is an absolute one in all the expositive editions which aroused wide interest in the drama field and the publish field.It is a phenomenon deserving discussing. This article trys to analyses the artistic characters from its expositive form,such as chief annotate,section annotate and middle annotate etc.And chiefly analyses the contents and the skills of the edition.After that, discusses the gain and the loss of the edition on its thought and art. |
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| Keywords: | JinShengtan The Story in West Room expositive book configuration artistic characters |
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