The monuments of Kings Cross: a visit to the new ruins of London

In his 1967 photo essay “The monuments of Passaic” the American land artist Robert Smithson presented a New York suburb as a seedbed of urban entropy. His research methods, publication strategies and reflections on decline provided a touchstone for the generation of cultural mappers that followed. But have theoretical expectations of metropolitan space perhaps shifted? Is it not in the city centre, rather than periphery, that decay is thought to set in? In which case, what forms – material, cultural, political – does it assume? And what, meanwhile, has become of the suburbs? In an inversion of the Passaic essay, this narrative takes the reader, first by train and then on foot in search of new ruins at the heart of a metropolis. The city is London and the destination Kings Cross, the largest building site in Europe and marketed as tomorrow’s neighbourhood of leisure and information. By way of an art practice, and through the lens of an art and architectural history, the paper reports on the site – its structures and objects, as well as the acts and interventions that the Kings Cross marketing machine has failed to sublimate.