The Dynamics of Heritage-Making at an Archaeological Site in South 24 Parganas,Bengal, India

Archaeological heritage is seldom fixed in time. Heritage-making is an ongoing process deeply entwined with social/cultural memory and identity formation. These processes are traced through an archaeological monument, located in the Sundarbans, in the South 24 Parganas district of West Bengal, India. The monument, named ‘Jatar Deul’, is a brick tower, stylistically labelled as a rekha deul — a curvilinear tower with a cruciform ground plan —belonging to the Orissan architectural style. Its exact chronology is unknown, as is its creator, although it is stylistically dated to the thirteenth century ce. It has survived more in myths, legends, and local tradition than in historical sources. This paper explores how the monument becomes a site of memories and how multi-vocal identities are forged around the locus of the site, now revered as a sacred place of Shaiva worship. The Postcolonial State has only a marginalized presence and the main stakeholders remain non-professional archaeologists, local schoolteachers, and the local population living in close vicinity. Identity work at the site is no longer the archetypal Bengali/regional identity seen in the pre-independence context, but reflects sub-regional cultural/religious affiliations. This paper is the result of ethnographic research, particularly interviews, of select sections of the local community, focusing on the recent organization of an annual fair at the site, which has thrown up questions on archaeological tourism. On the whole, this study examines how an archaeological monument is shaped and formed in the present in contemporary South Asia.