Proceedings of the Twenty-ninth Annual Meeting,Wolverhampton, 1872

Abstract

This paper takes as its starting point the relatively unusual form taken by Lincoln's gatehouse-cum-guildhall, which was rebuilt in 1520. It is argued that the Stonebow's elevation bears a superficial similarity to the contemporary royal palace at the Field of the Cloth of Gold. The local political background may suggest that the two buildings are, indeed, connected — through the city council's efforts to renegotiate the terms of their fee-farm with their feudal lords. The new building, and its simple Annunciation iconography, were intended to be understood at several levels of symbolic meaning, all of which referred to the city's relationship with its various lords. Consequently, the Stonebow's simplicity is deceptive; it is, in fact, a multi-faceted political statement, summing up the city's own view of its place in contemporary politics and, as such, it is a good example of the complexity sometimes achieved in early Renaissance architectural iconography.