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The Theatre of Navalism in Germany and Britain
Authors:John Beeler
Institution:University of Alabama
Abstract:Abstract

TWENTY YEARS AGO, the late Victorian and Edwardian navy was the preserve of ArthurJ. Marder. Since then, scholars includingJon T. Sumida, Nicholas A. Lambert, Andrew Lambert, Andrew Gordon, Jolm Brooks, Geoffrey Till, and Charles H. Fairbanks, Jr. have revised our understanding of Bridsh naval policy in the run-up to the First World War and the navy's performance during it. t The flowering of naval history in file English language has not been restricted to British history. For fifteen years, the standard work on German naval policy under the empire had been published by Jonathan Steinberg in 1965 .2 Beginning with Holger Herwig, this field, too, was transformed by, among others, Ivo Lambi, Gary Weir, Lawrence Sondhaus, and Rolf Hobson? Works on other pre-First World War navies include Sondhaus and Milan Vego on the Austro-Hungarian navy; 4 George Baer, Peter Karsten, Ronald Spector, Mark Shulman, and Robert O'Connell on the US navy; 1 Charles Schencking, David Evans, mid Mark Peatde on the Japanese navy; 2 and Paul Halpern on the Mediterranean theatre.
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