All hyped up and no place to go

In this paper we think about the performance of sexual identities in space, and try to explore the notions of transgression and parody implicit in recent queer theory, particularly in the work of Judith Butler. To do this, we take a long hard look at two current dissident sexual identities—the hypermasculine ‘gay skinhead’ and the hyperfeminine ‘lipstick lesbian’. We describe their evolution as sexual‐outlaw styles of the 1990s, and assess the effects of their performance in spaces which are, we argue, actively constructed as heterosexual. Although we are ultimately unsure and unable to agree about what kinds of trouble these identities cause, and for whom, and where, we want to share our unease, our questions, our own troubles.