| 文中子的《乐论》与《乐记》 |
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| 引用本文： | 李小成.文中子的《乐论》与《乐记》[J].古籍整理研究学刊,2007(2):11-13. |
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| 作者姓名： | 李小成 |
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| 作者单位： | 西安文理学院,文学院,陕西,西安,710065 |
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| 摘 要： | 《续六经》之一的《乐论》,表述了文中子的音乐理论,《乐论》虽已失传,但从其他典籍可以考知其梗概。文中子看到了音乐在整个社会进程中的作用,它不仅能体现王道,而且是时代的体温计,他的乐理理论其实是秉承了孔子的乐理思想。在经过从汉到隋之前儒学的衰落之后,文中子的乐理思想也是他重振儒学的有机组成部分。
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| 关 键 词： | 乐论 雅乐 乐记 王道 礼乐 |
| 文章编号： | 1009-1017（2007）02-0011-03 |
| 收稿时间： | 2006-04-24 |
| 修稿时间： | 2006年4月24日 |
The Music Theory about Wen Zhong-zi and Confucian Classic of Music |
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| LI Xiao-cheng.The Music Theory about Wen Zhong-zi and Confucian Classic of Music[J].Journal of Ancient Books Collation and Studies,2007(2):11-13. |
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| Authors: | LI Xiao-cheng |
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| Abstract: | Discussing of about Music of Pre-liujing expressed wenzhongzi's music thought theory.Discussing of about music haveing lost but it coulde be checked gist from other bible.Wenzhongzi discerned musical affection during the whole society,process.Music embodied not only embodied the sense of the monarch,but also convey age.His theory of music was in fact inherit Kongzi's musical idea.After Confucianism decadencing from Han to Rre-Sui, Wenzhongzi's musical theory was also organic composition repromote Confucianism. |
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| Keywords: | Musical theory Gentle music Yueji The sense of Monarch Formal music |
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