| 云冈20窟佛坐像对太和期单尊佛像的影响 |
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| 引用本文： | 金申.云冈20窟佛坐像对太和期单尊佛像的影响[J].中原文物,2006(5):66-70. |
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| 作者姓名： | 金申 |
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| 作者单位： | 中国艺术研究院美术研究所,北京,100009 |
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| 摘 要： | 云冈20窟佛像的图样来源属于犍陀罗-凉州系统佛像,其坐像的衣纹形式在昙曜五窟中别具一格。至云冈第2期即太和时期,以20窟佛坐像为范本的石窟佛像和单尊铜石佛像盛行一时,确立了太和时期独具特色的佛像形式。
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| 关 键 词： | 云冈20窟佛像 昙曜五窟佛像 太和期 |
Effects on the Single Buddha Figures of Taihe Period Exerted by the Twentieth Cave of Yungang Grottoes |
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| Jin Shen.Effects on the Single Buddha Figures of Taihe Period Exerted by the Twentieth Cave of Yungang Grottoes[J].Cultural Relics of Central China,2006(5):66-70. |
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| Authors: | Jin Shen |
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| Abstract: | The design of the Buddha figure in the Twentieth Cave of Yungang Grotto is originated from Gandhara, the Buddha figures of Liangzhou system, whose cloth pattern is distinctive in the five caves of Tanyao. To the second phase of Yuangang Grotto, that is the Taihe Period, the stone and bronze Buddha figures modeled that of the Twentieth Cave were in fashion, which formed the figure style of that time. |
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| Keywords: | the Buddha figure in the Twentieth Cave of Yungang Grotto the Buddha figure in the five caves of Tanyao Taihe Period |
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