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辽代丝绸彩绘的技法与艺术
引用本文:赵丰,袁宣萍.辽代丝绸彩绘的技法与艺术[J].文博,2009(6):348-353.
作者姓名:赵丰  袁宣萍
作者单位:1. 中国丝绸博物馆,杭州,310008
2. 浙江工业大学,杭州
摘    要:彩绘是中国一种古老的织物装饰工艺,文献上有记载并有历代出土实物的佐证。迄今为止,我国考古发现的数量最多、技术最完善、图案最丰富的彩绘丝绸属于辽代。从辽代耶律羽之墓出土彩绘丝织品的鉴定和分析来看,辽代丝绸手绘色彩中最常见的为金、银、红、黑和白色等,均为矿物颜料,用毛笔在绢地或绫地上以勾勒着色和线描的手法进行彩绘,特别是在提花纹样的轮廓上作线描是辽代丝绸彩绘的特色。图案风格较丰富,体现了辽代艺术的时代气息。

关 键 词:丝绸  手绘  工艺  艺术  辽代

Technique and design of painting on textiles from Liao dynasty
Zhao feng,Yuan xuanping.Technique and design of painting on textiles from Liao dynasty[J].Relics and Museology,2009(6):348-353.
Authors:Zhao feng  Yuan xuanping
Institution:Zhao feng, Yuan xuanping ( 1.Chinese National Silk Museum, Hangzhou, 310008 ; 2.Zhejiang University of Technology )
Abstract:Chinese textile painting bore a very early origin, which could be approved by historical documents and. archaeological finds through the whole history. However, those paintings of the Liao dynasty number most from archaeological excavations to date, with most accomplished techniques and diversified patterns. After testing pigments of textiles paintings excavated from Yelu Yuzhi's tomb of the Liao dynasty, materials such as gold, graphite, flake white and vermilion were found. The paintings were mainly line-drawn by brushes, but some were also filled with colours. The patterns on these paintings are identical to woven textile patterns of the Liao dynasty.
Keywords:Silk  Painting  Craftsmanship  Art  Liao dynasty
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