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唐代宝花狮纹锦织物的特点和复制
引用本文:罗群,吕继熔. 唐代宝花狮纹锦织物的特点和复制[J]. 文物保护与考古科学, 2012, 24(3): 112-118
作者姓名:罗群  吕继熔
作者单位:中国丝绸博物馆,浙江杭州,310002
摘    要:通过分析唐代宝花狮纹锦各项参数,确定它须由大花偻束综提花机制织,据此复原出这项织造技术.并成功复制出宝花狮纹锦。从而可以推断,随着丝绸之路的畅通,唐代中西方商品、文化、技术交流紧密,大花楼束综提花技术已经开始应用,以此为基础.丝绸品种从以前的经锦过渡剑纬锦,织物图案的艺术表现力得以增强.提花织机的生产效率也得到提高。

关 键 词:纬锦  纹样  织造技术
收稿时间:2011-03-25
修稿时间:2012-01-29

Style and weaving technique in a Tang Dynasty silk samite decorated with lion and floral motifs
LUO Qun and LV Ji-rong. Style and weaving technique in a Tang Dynasty silk samite decorated with lion and floral motifs[J]. Sciences of Conservation and Archaeology, 2012, 24(3): 112-118
Authors:LUO Qun and LV Ji-rong
Affiliation:(China National Silk Museum,Hangzhou 310002,China)
Abstract:As a result of analyzing Tang Dynasty silk samites and restoring the weaving techniques that created them,the opening of Silk Road resulted in the exchange of the commodities,culture and technology between the east and the west that became more and more frequent during the Tang dynasty.The warp-faced compound weave(jin-silk) that was popular from Warring States period to Wei and Jin dynasties was gradually replaced by the weft-faced compound weave(wei-silk).The motifs of the silk were greatly affected by the Middle and Western Asia.Floral patterns combined with animals suggested a mixture of Chinese and western styles,which was called,historically,"Ling Yang Gong Yang".Weaving technology developed from use of the multi-heddle loom to the drawloom in Tang dynasty.Introduction of the drawloom led to great progress in weaving efficiency and artistic expressiveness in textile motifs.
Keywords:Silk samite  Pattern   Weaving technique
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