| 由五代宋初山水画论看风水学对山水画成熟的影响 |
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| 引用本文： | 陈云飞.由五代宋初山水画论看风水学对山水画成熟的影响[J].东南文化,2005(1):48-51. |
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| 作者姓名： | 陈云飞 |
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| 作者单位： | 南京艺术学院美术学院,江苏南京210013 |
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| 摘 要： | 风水学在唐末五代发生了变革，其中以考察山川形势的“形势宗”占据了主流地位，其理论具有浓厚的美学意味。就在这段时期，山水画领域同样发生了巨变，山水画由稚嫩发展至成熟。通过对风水术转型前后理论的发展与山水画成熟期山水画论的比较，可以看到风水学对山水画的成熟所起的作用。
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| 关 键 词： | 五代宋初 风水学 山水画 |
The Influence of the Geomantic Omen on Landscape Paintings of Five Dynasties to Early Song Period |
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| CHEN Yunfei.The Influence of the Geomantic Omen on Landscape Paintings of Five Dynasties to Early Song Period[J].Southeast Culture,2005(1):48-51. |
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| Authors: | CHEN Yunfei |
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| Institution: | CHEN Yunfei |
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| Abstract: | Geomantic omen reformed in the late period of Tang and Five Dynasties, at the same time the landscape paintings also developed to its mature phrase. Though the theory of geomantic omen and the painting theory, we can see the influence of geomantic omen on landscape paintings. |
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| Keywords: | Five Dynasties and Early Song Dynasty Geomantic Omen Landscape Paintings |
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