侗族百家宴非遗文化旅游空间生产中的角色实践:基于“角色—空间”理论分析框架

角色与空间互构视野下,研究聚焦文化空间这一空间类型,将角色理论与文化空间理论和空间生产理论对接,运用研究整合法构建了“角色-空间”理论分析框架。在此基础上,研究以文化空间类非遗--广西侗族百家宴为研究对象,以广西三江侗族自治县程阳八寨景区岩寨为案例地,关注旅游开发后侗族百家宴非遗文化旅游空间生产中的角色建构、角色扮演、角色情境定义等角色实践问题,以及角色实践视野下侗族百家宴非遗文化旅游空间生产的结果。这对于提高传统角色理论在空间问题研究上的解释力、促进角色理论的空间转向,拓展文化空间理论和空间生产理论的角色面向,以及在微观实践层面上明确侗族百家宴文化空间保护与旅游化生存策略具有较大裨益。

ROLE PRACTICE AND THE CULTURAL TOURISM SPACE PRODUCTION: A CASE STUDY OF THE DONG HUNDRED-FAMILY FEAST

In the context of the spatial turn in social theory since 1970s, social space is increasing regarded as a key dimension and even an alternative paradigm in modern sociology, with a greater emphasis placed on the micro social action in the production of space and the certain products of space production. Focusing on the cultural space, which was first defined as a typical space type by Lefebvre and now has evolved into an exclusive concept in the area of intangible cultural heritage, this study firstly construct the "role-space" theoretical analysis framework which incorporate the role theory, the cultural space theory and Lefebvre's spatial dialectics based on the research synthesis methods. Secondly, taking a typical cultural space--the Dong Hundred-Family Feast of Yanzhai village in Guangxi as an example, this study explores how the role works in the cultural tourism space production and its production and reproduction of the space based on depth interviews and participant observation. Research suggests that the production and construction of the cultural tourism space of Dong Hundred-Family Feast originates from the interaction among role construction, role play and the definition (may be redefinition) of role situation.