| Abstract: | This article considers intersections between the doctrines of mid-Victorian liberalism and biological evolution using 1860s caricatures and satires from Punch. In the years following the 1859 publication of John Stuart Mill’s On Liberty and Charles Darwin’s On the Origin of Species, caricatures featuring satirical apes illustrated mutually supportive cultural attitudes about politics and science. Ideas of character united the discourses of mid-Victorian evolutionism with liberalism, and the confluence of these ideas, or what I term liberal evolutionism, dramatized this overlap for Victorian culture. My project shows that the apes depicted in Punch were often intended as not only whimsical responses to the theories put forward by Darwin and Mill, they also point to the formation of the British subject. |
