The theatre of social change: nobility,opera industry and the politics of culture in Bologna between papal privileges and liberal principles

In Bologna, after Rome the second biggest city of the Papal States, the Teatro Comunale played a major role in the city's cultural self-representation from the eighteenth century. After the Unification of Italy local politicians and the rising middle class used the theatre - together with the famous university, the Liceo musicale and the Pinacoteca - to present Bologna as one of the young nation-state's cultural capitals. A study of Bologna's opera house as a social institution highlights social, cultural and political processes and conflicts which marked the transition from the papal regime to the liberal nation-state. Bologna's nobility, which owned the theatre's prestigious private boxes, opposed the idea of democratically elected politicians and professional experts determining the fate of their theatre, the theatre which for centuries had provided the preferred backdrop for staging their social status.