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古代近东小雕像的彩绘和彩绘工艺,公元前3000年到古波斯阿契美尼德王朝(公元前330年)
引用本文:Astrid Nunn. 古代近东小雕像的彩绘和彩绘工艺,公元前3000年到古波斯阿契美尼德王朝(公元前330年)[J]. 文博, 2009, 0(6): 79-89
作者姓名:Astrid Nunn
作者单位:维尔兹堡,德国
摘    要:青铜时代的公元前3000年到希腊文化占统治地位的古波斯阿契美尼德王朝末期(公元前330年)。本文关注于人体的三维表现。同时会展示一些相关的动物形象。不同于古代希腊雕像,还没有开展对古代美索布达米亚雕塑彩绘颜料的化学分析工作。因此我将工作重点放在至今可见的彩色上。不同于秦俑,还没有古代美索布达米亚雕塑重建的例子。你可以看到大约公元2世纪女神伊施塔形象,这不是雕像,只是两维形象,在文中介绍了其彩绘重构工作。这将给你古代近东艺术彩绘的初始印象。

关 键 词:古代近东小雕像  彩绘  彩绘工艺

Colours and colouring on Ancient Near Eastern statuettes from 3000 BC until the Achaemenids (330 BC)
Astrid Nunn. Colours and colouring on Ancient Near Eastern statuettes from 3000 BC until the Achaemenids (330 BC)[J]. Relics and Museology, 2009, 0(6): 79-89
Authors:Astrid Nunn
Affiliation:Astrid Nunn Wurzburg, Germany
Abstract:In Ancient Mesopotamia all types of statues were painted from the beginning on. Colouring was achieved with various techniques and on very different materials. Colours were not always deemed to be necessary, but they were added to adorn the statue, and also to make its appearance more realistic and therefore lively. This was very important considering that gods, private donors and animals were thought to be living in their statues.
Keywords:Ancient Near Eastern Statuettes  Colours  Colouring
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