试论《山音》中的处女崇拜

川端康成晚年的代表作《山音》仍然表现出“处女性”崇拜这一主题。信吾精神饥渴和委顿，内心充溢着怅惘、空虚、失落、孤独和死亡的哀怨与恐惧，他希望获得解脱，希望得到精神的救赎。他在寻求一种精神上的归宿，寻找一种救赎的精神力量。信吾潜意识中所期待的能使之获得救赎的力量是通过女性来体现的，他探寻的目标也具体化为女性，尤其是女性美。以信吾为代表的男性形象在这种“处女”的爱中汲取无限的生命力量。川端康成作品中对“处女性”的崇拜也是一种对生命的憧憬。对“处女性”的崇拜源于川端康成的孤儿根性。也是作者对自己孤儿根性的一种解脱和拯救。

Female,Love,Redemption and Return:the Virginity Worship in The Sound of the Mountain

The Sound of the Mountain, Kawabata Yasunari＇s later representative works, still displayed the subject of the ＂virgin- ity＂worship. Shingo, The protagonist of The Sound of the Mountain is listless, void, lonely, plaintive and frightened. He hoped to obtain the extrication and spiritual redeeming. The redeeming strength which he anticipated to obtain in his subconscious is the female; the goal he inquired about is also concrete application of female, particularly the feminine beauty as a representative＇ s masculine image, Sbingo derives the infinite life strength in the ＂virginity＂ worship. The ＂vi,ginity＂ worship in Kawabata Yasu- nail＇ s works stemmed from his orphan＇ s character is one kind of extrication and saving to his own orphan＇ s character and is also one kind of life expectation.