| 宋代绘画中的穷款、隐款现象研究 |
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| 引用本文： | 李永强. 宋代绘画中的穷款、隐款现象研究[J]. 东南文化, 2010, 0(1): 117-120 |
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| 作者姓名： | 李永强 |
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| 作者单位： | 广西艺术学院桂林中国画学院,广西南宁,530022 |
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| 摘 要： | 宋代绘画中普遍存在穷款、隐款的现象,有的学者认为是宋代画家的书法水平不高所致,其实,这仅仅是其表面现象,而非主要原因。形成这一现象的原因有三:其一、宋代绘画所追求的真、格物致知的审美境界;其二、绘画中题款艺术发展的自律性;其三、宋代画家的地位、审美、性格的局限性。
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| 关 键 词： | 穷款 隐款 求真 格物致知 |
On the Phenomenon of Short and Hidden Inscriptions in the Song Paintings |
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| LI Yong-qiang. On the Phenomenon of Short and Hidden Inscriptions in the Song Paintings[J]. Southeast Culture, 2010, 0(1): 117-120 |
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| Authors: | LI Yong-qiang |
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| Affiliation: | Guilin School of Chinese Painting;Guangxi Arts Institute;Nanning;Guangxi 530022 |
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| Abstract: | There is a phenomenon of short inscription and hidden inscription in the paintings of the Song Dynasty.Some Scholars suggest it related with the painters' poor calligraphy in the Song Dynasty.In fact,there exist three reasons in the Song Dynasty: First,the aesthetic realm of Zhen(the true),Ge Wu Zhi Zhi(study the regular patterns of nature and society);Second,the lower level of inscriptions;Third,the painters' status,aesthetic standards and their own temperament. |
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