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顾恺之“画论”美学观管窥
引用本文:张玉秀,张婧. 顾恺之“画论”美学观管窥[J]. 古籍整理研究学刊, 2002, 0(5): 91-93
作者姓名:张玉秀  张婧
作者单位:白城师范学院,中文系,吉林,白城,137000
摘    要:颐恺之美学观的形成具有划时代的意义。他的绘画理沦阳绘画创作使中国绘画美学得以系统体现.并出现了抽象美的萌芽。他把握了绘画美学的艺术理论.并从中总结出一系列绘画用语。他把前人曾有过的“形神兼备”、“发挥画家主观作用”等处于萌芽状态的思想.用“以形写神”、“迁想妙得”等观点统一起来.建立了绘画美学系统.为中国绘画美学的发展奠定丁深厚的基础。

关 键 词:顾恺之 画论 具像美 抽象美 人的觉醒
文章编号:1009-1017(2002)05-0091-03
修稿时间:2002-05-01

Discussions on the aesthetical view of Gu Kai's
Zhang Yuxiu Zhang jing. Discussions on the aesthetical view of Gu Kai's[J]. Journal of Ancient Books Collation and Studies, 2002, 0(5): 91-93
Authors:Zhang Yuxiu Zhang jing
Abstract:The form for the aesthetical view of Gu Kai's has epoch-making significance. It is possible for his painting theory and creation to make China painting aesthetics systematizing,at the same time it appears the seeds of abstract beauty. He has grasped the art theory of painting aesthetics and got out of some terms of painting. As for the thought in the rud such as both form and spirit the former once had and putting the painter's initiative into full play, he combined them into one by writing spirit by form in order to build up painting aesthetics system. What he did laid the solid foundation for the development of China painting aesthetics.
Keywords:Gu kaizhi  Hualun  aesthetical view
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