| 千手观音造像修复试验区法器的造型研究 |
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| 引用本文： | 程鹏,李国徽,张俊杰. 千手观音造像修复试验区法器的造型研究[J]. 中国文物科学研究, 2013, 0(3): 11-14 |
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| 作者姓名： | 程鹏 李国徽 张俊杰 |
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| 作者单位： | 1. 中国文化遗产研究院
2. 洛阳古代艺术博物馆 |
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| 摘 要： | 法器作为千手观音形象的重要组成部分,有着相对固定的题材和形象,法器的造型研究对千手观音造像的修复有着重要的意义.本文概述了千手观音造像的基本形式,以及千手、千眼与法器之间的配置关系,并着重梳理了千手观音造像中法器的造型特征和形象渊源,以2013年修复试验区中的4件法器为案例,对其进行造型特点、着色工艺等方面的分析与研究.
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| 关 键 词： | 千手观音 法器 造型特点 着色工艺 |
An Analysis of the Patterns of Religious Instrumentas of the Experimental Zone of the Thousand-Hand Bodhisattva |
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| Cheng Peng , Li Guohui , Zhang Junjie. An Analysis of the Patterns of Religious Instrumentas of the Experimental Zone of the Thousand-Hand Bodhisattva[J]. , 2013, 0(3): 11-14 |
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| Authors: | Cheng Peng Li Guohui Zhang Junjie |
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| Affiliation: | Cheng Peng Li Guohui Zhang Junjie |
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| Abstract: | As an important component of the Thousand-Hand Bodhisattwt statue, religious instruments show fixed subjects and patterns. A study on the religious instruments is of significance for the restoration of the statue. This paper investigates basic patterns of the instruments, and the relations between hands, eyes and instruments. The author illustrates four examples in this paper to trace the evolution of the figures, especially focusing on art characters and coloring craft. |
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| Keywords: | The Thousand-Hand Bodhisattva Religious Instruments Art Character Coloring Craft |
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