| 敍事與嘲調:宋元説話伎藝的兩脈 |
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| 引用本文： | 徐大軍. 敍事與嘲調:宋元説話伎藝的兩脈[J]. 中华文史论丛, 2011, 0(1): 331-357,404 |
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| 作者姓名： | 徐大軍 |
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| 作者单位： | 杭州師範大學古代文學與文獻研究中心; |
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| 基金项目： | 教育部人文社會科學研究基金項目的階段性成果(項目編號:10YJC751097) |
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| 摘 要： | 考察歷代相關文獻關於"説話"伎藝的宗旨、形態的記述,宋元説話伎藝並不必然地只包括故事講説,它實由俳優的語言表演伎藝發展而來,應有敍事、嘲調兩條發展脈絡,並由此變化出説話伎藝的不同形態,分屬於敍事類説話伎藝和嘲調類説話伎藝。敍事、嘲調分别體現了宋元説話伎藝兩脈表演的宗旨、形態和方式。這一理析既有利於認識宋元説話伎藝作爲語言表演伎藝的淵源和全貌,也有利於認識宋元小説、戲曲和説唱伎藝的形態及其關聯。
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| 关 键 词： | 敍事 嘲調 説話伎藝 宋元時期 |
Narrative and Ridicule:the Two Systems of ShuoHua in the Song and Yuan Dynasties |
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| Xu Dajun. Narrative and Ridicule:the Two Systems of ShuoHua in the Song and Yuan Dynasties[J]. Journal of Chinese Literature and History, 2011, 0(1): 331-357,404 |
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| Authors: | Xu Dajun |
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| Abstract: | ShuoHua developed from PaiYu’s performance using words,is not limit in the art form of storytelling, but include two systems: One is narrative, the other is ridicule, from that ShuoHua takes on a variety of form which belong to narrative ShuoHua and ridicule ShuoHua. Narrative and Ridicule represent separately purpose, style and presentation of performance of two systems. The research will be of great help to understand comprehensively the origin and appearance of ShuoHua, as well as understand characteristics of novel and traditional opera and impacts between themselves and ShuoHua in the Song and Yuan dynasties. |
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