Geographic film as public research: re-visualizing/vitalizing a terraced landscape in the Italian Alps (Piccola terra/Small land, 2012)

This article describes an experience of geographic filmmaking carried out within a long-term research process (2000–2012) involving the terraced landscape of the Brenta Valley in the Italian Alps. The documentary Piccola terra Small land] (2012) was co-produced by geographers and professional directors. Engaging in the recent debate on filmic geographies, the aim of this article is to discuss and show what makes a film ‘geographic’. The geographer authored a filmic interpretation of landscape which is spatially and temporally complex, open and mobile, anchored to material features and to personal stories and socio-economic contexts. Produced to support a campaign for the adoption of abandoned terraces by ‘new farmers’, the documentary Piccola terra serves as a means to engage society and produce landscape change. Geographic filmmaking as an action-, public- and social-oriented activity is discussed with reference to the so-called ‘impact agenda’. We propose a style of active engagement through filmmaking which is workable, rather than critical. In order to avoid purely auto-reflective, auto-referential academic speculation on doing filmic and public geographies, this paper, which ideally is read along with viewing of the documentary, materially enters the researched/filmed landscape, developing into a supplementary tool for the international dissemination of Piccola terra.