| Abstract: | Where cities evolve in contentious political circumstances and make the transition from a colonial to a post-colonial state, aspects of the urban landscape such as public monuments, street nomenclature, buildings, city plans and urban design initiatives take on particular significance. Collectively they demonstrate the fact that the city is the product of a struggle among conflicting interest groups in search of dominion over an environment. As one group seeks dominance over the other the urban landscape often becomes the canvas upon which this power struggle finds expression. Public statues in particular serve as an important source for unravelling the geographies of broader political and cultural shifts. These issues are explored here with reference to Dublin City and the monuments erected to royal monarchs before the achievement of political independence in 1922, namely Kings William I (1701), George I (1722), George II (1758) and Queen Victoria (1908). The fate of such monuments in post-colonial Dublin and the ways in which the fledgling state and particular groups within it sought to express their new found power through both the official and oftentimes wilful destruction of these royal statues is then examined. The paper illuminates the power of public monuments as symbolic sites of meaning and explores their role in the construction of a landscape of colonial power. It also demonstrates how monuments become sites of protest, as symbolic in their removal as in their erection. |
