谈文学作品中“盗亦有道”的奸夫形象

妻子对丈夫不忠,并要求奸夫杀死亲夫,奸夫激于义愤,却将情妇杀死,此类故事自唐中期产生以后,即成为古代文学作品中的一个重要母题。到了明代,又异变为奸夫看见亲夫疼爱妻子,即因痛恨情妇背叛亲夫而将其杀死。日本小说家芥川龙之介的著名小说《竹林中》更描写了强奸者因为看到被强奸者对丈夫不忠,而要将其杀死的情节。如果说前者作品中的奸夫形象尚有正义一面的话,后两者则纯属邪恶。此类作品的产生和传统文化中男尊女卑、红颜祸水的思想密切相关。

The Adulterer Image of Robbers Have a Code of Conduct in Literary Works

The wife unfaithful to her husband, and asked her adulterer to kill the husband, adulterer stimulated indignatio n, puts his mistress to kill, such stories produced since the mid-Tang Dynasty, and became an tif in ancient literary works. Ming Dynasty, the adulterer saw the husband loves his wife, and killed his mistress because of the betrayal of her husband. Japanese novelist Ryunosuke Akutagawa＇s famous novel, bamboo described the rape want to kill the rape victims because her unfaithful to her husband. If the former works adulterer image still just one side, the latter two are purely evil. Such works produce closely related to the idea of traditional patriarchal culture, sexist and dangerous beauty.