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形上追求——禅宗影响下董其昌山水画形式语言分析
引用本文:姚东一. 形上追求——禅宗影响下董其昌山水画形式语言分析[J]. 贵州文史丛刊, 2014, 0(2): 87-91
作者姓名:姚东一
作者单位:上海大学美术学院, 上海200444
摘    要:考察董其昌一生的艺术历程中,禅宗对其产生的影响是明显的。本文通过对董其昌山水画笔墨、章法的解读剖析并总结其形式语言的特征,认为董其昌山水画中笔法、墨法和皴法所呈现的洁净、明透和单纯,画面在空间、走势和虚实上自由感性的主观呈现,和禅宗追求个体心性的体验有不少契合之处。其山水画形式语言所具有的形式感和抽象性特征,正是禅宗影响下神与形迹、具体而微的体现。

关 键 词:笔墨  章法  形式感  抽象性  禅宗

Metaphysical Pursuit
Yao Dong Yi. Metaphysical Pursuit[J]. Guizhou Historical Studies, 2014, 0(2): 87-91
Authors:Yao Dong Yi
Affiliation:Yao Dong Yi
Abstract:In the study of Dong Qi Chang' s art-life, on him. This paper analyzed the brush and ink techniques painting and summarized the characteristic of its formal it can be seen that Zen had generated an obvious impact and the composition of Dong Qi Chang' s Landscape language and then interpreted the cleanse, transparence and pureness presented in his brush style, ink style and texturing method. The free and emotional objective presentation of the concept of dimension, the tendency and the actual situation in his paintings had many conjunctions with Zen' s experience of pursuing personal disposition. The formal feeling and abstract personality in the formal language of Dong Qi Chang' s Landscape painting was just the small but complete reflect of his soul and outside under the Zen' s influence.
Keywords:brush-and-ink   composition   the sense of form   abstraction   Zen
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