| Abstract: | After evoking the spirit of the Russian intelligentsia, this essay interprets its changing place in society. A force for humanism, universal brotherhood and freedom of expression within a succession of repressive political regimes, the intelligentsia should — one might think — be greatly favoured by perestroika. Yet its very idealism and uncritical faith in such abstractions as ‘the people’ and ‘beloved foreigners’ have ill prepared it to deal with harsh and complex realities. As earlier stereotypes crumble and the Communist regime disintegrates, the intelligentsia itself is confused and divided. Faced with moral and political dilemmas, Tolstaya suggests that there may be some virtue in a productive form of escapism in art. |
