| Abstract: | This paper explores Martin Hengel's thesis that the Gospel of Mark was written in Rome in the year 69. Hengel was convinced that more should be made of the Year of Four Emperors, a period of civic chaos and warfare that ensued on the death of Nero. The paper analyses the role of the emperor as a potent force in the religious, civic, political, and military unity that is Rome and her gods; the all-pervasive Jerusalem Temple; and Josephus's return to Rome in 71 and the publication of The Jewish War. The paper shows that these themes overlap with this Gospel and are at least consistently supportive of the claim that Rome is the place of composition. The paper refers positively to a recent publication by Brian Incigneri that stresses the critical role of the Triumph of Vespasian and Titus in 71 as the catalytic event for Mark. |
