| 三代传承 同宗异趣 吴伯滔、吴待秋、吴木翰墨因缘 |
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| 引用本文： | 陈根兴. 三代传承 同宗异趣 吴伯滔、吴待秋、吴木翰墨因缘[J]. 收藏家, 2010, 0(5): 35-42 |
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| 作者姓名： | 陈根兴 |
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| 摘 要： | 历史悠久的中国画,以其独有的美学思想与风格体貌、自有的艺术规律与艺术特征,迥异于西方绘画。中国画以＂家学＂、＂师承＂为主要形式的传承体系,也颇具中国特色。综观中国绘画史,无论是开宗立派之大师,还是各流派中的大家、名家,无不得益于家学承继或名师授传。在不同的流派中,也多见亦父亦师、亦师亦友的结构关系。
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| 关 键 词： | 传承 三代 同宗 因缘 中国绘画史 美学思想 艺术特征 艺术规律 |
On Wu Botao, Wu Daiqiu and Wu Yangmu |
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| Chen Genxing. On Wu Botao, Wu Daiqiu and Wu Yangmu[J]. Collectors, 2010, 0(5): 35-42 |
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| Authors: | Chen Genxing |
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| Abstract: | Wu Botao, Wu Daiqiu and Wu Yangmu are three painters lived from late Qing dynasty to modern time. Three generations have the same origin of painting style but embody different interests. The paper researches the origin, style and subject of their paintings and comments on their art achievements. |
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