| 唐代人物画理论中的历史意识 |
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| 引用本文： | 樊波 阮立. 唐代人物画理论中的历史意识[J]. 东南文化, 2004, 0(6): 72-76 |
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| 作者姓名： | 樊波 阮立 |
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| 作者单位： | 南京艺术学院美术学院，江苏南京210013 |
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| 摘 要： | 唐代人物画理论中有一个重要的思想倾向，这就是贯穿于其中的强烈的历史意识。这种历史意识主要是通过对绘画起源的考察，从而将绘画发展视为一个连续而完整的过程。
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| 关 键 词： | 人物画理论 历史意识 绘画发展规律 |
The History Ideology in the Theory of Tang Dynasty Portrait Paintings |
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| FAN Bo and RUAN Li. The History Ideology in the Theory of Tang Dynasty Portrait Paintings[J]. Southeast Culture, 2004, 0(6): 72-76 |
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| Authors: | FAN Bo and RUAN Li |
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| Affiliation: | FAN Bo and RUAN Li |
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| Abstract: | The history ideology is an important part of the theory of Tang Dynasty portra it paintings. By the analysis of the source of the painting, the history ideolog y takes the development of painting as a whole and successive process. |
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| Keywords: | Portrait Paintings Theory History Ideology the rule of painting dev elopment |
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