| Abstract: | The article examines Vidas secas (1938) by Brazilian writer Graciliano Ramos as bridging biopolitical reflections on animality and new materialist reflections on animal studies. By tracing the bond between canine and human in Vidas secas as a canine melancholia, from Lacanian extimité into Donna Haraway’s species companionship, I expose the implicit theory of animality of the novel as an interspecies politics of survival. In doing this, I present a new frame of interpretation for the novel that places its particular kind of melancholia as untimely contemporary. |
