胡汉交融视角下唐代披袍女俑形象新探

唐代墓葬陪葬俑、石质葬具与壁画出现一些女性披袍形象,亦见于敦煌、新疆等佛教洞窟壁画,披袍形制、装饰展现出多元文化交融特征,属于广义胡服体系,在北朝至隋唐时期女性易装背景下,反映了这一时期女性身份与地位的变化、女性服饰中西域文化的影响以及胡汉交融之性别重构与意义。

On the Tang-Dynasty female figurines in robes

Some female pottery figures were found in Tang-Dynasty tombs, who wore high hair buns, draped Hu robes, as well as inner shirts and skirts. Paralleling images were also found in murals at Dunhuang,Turfan, Yushu and so on. They represented female providers with prestigious status for Buddhas or other religious divines. Tracing back to the prototypes of these females, they should have been of multi-culture origins, including Xianbei, Tuyuhun and Sogdian from the north, northwest and the west from the northern Dynasties to the Sui and Tang Dynasties.