Notices of Books

Abstract

The three greatest German buildings of the first half of the eleventh century were of an ambition not to be found elsewhere in contemporary Europe and were modelled directly on Roman Imperial prototypes. They demonstrate a new grandeur of spirit that is typical of German architecture of the time, but in their precise forms, remarkably enough, they remained unique in that country. Archbishop Heribert's huge rotunda at Deutz was partly inspired by the Pantheon, and since Heribert had been Otto III's chief politician and Italian Chancellor for the previous six years the building was an important monument of Otto III's political policy of ‘Renovatio Imperii Romanorum’. The re-creation of Roman Imperial grandeur that these and other German buildings represent is essentially Romanesque and to call them anything else is not to do them justice. The idea of an Ottonian style of architecture has not been helpful.