Excavations at Dorestad,Vol. 1: The Harbour: Hoogstraat I. By W. A. Van Es and W. J. H. Verwers

This paper collates some examples of nineteenth-century church ‘restoration’, with special reference to their effect on medieval wall-paintings, and seeks to trace the motivation behind them. Their hitherto insufficiently recognised influence on prevailing views about the subject-matter of medieval wall-paintings is also suggested.