Tragedy and Science |
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Authors: | Michael Chayut |
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Affiliation: | The Cohn Institute for the History and Philosophy of Science and Ideas, Tel-Aviv University , Ramat Aviv 69978, Israel |
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Abstract: | Tragic theater is a phenomenon both extremely rare and sadly ephemeral. Perusal of Nietzsche will lead to the proposal that tragic theater developed in periods marked by scientific revolutions, related here to sweeping and far-ranging changes in the social fabric and the myths — or world theories (condensed images of the world) — underlying it. Tragic theater expresses an insoluble conflict between a mythology (or world theory) in decline and a new form of culture, epitomized by a new world theory. True tragic theater therefore exhibits the same conditions that give rise to scientific revolutions. This “Tragedy — the Swan Song of Myth” thesis, outlined in Nietzsche's early studies of Greek tragedy, will be generalized and extended to the case of 17th century English tragedy and science, and the origins of the modern myth of Progress and Enlightenment. |
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Keywords: | Tragedy Science Scientific revolutions Myth Nietzsche Shakespeare |
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