| Abstract: | How does the seen produce the unseen? And what happens when the unseen makes a bid to emerge from its occlusion? This paper examines the gendered visuality of the Reformasi crisis in Indonesia in 1998, juxtaposing the visibility of male‐on‐male violence at student demonstrations with the invisibility of violence against (feminised) Chinese‐Indonesians and, in particular, raped Chinese‐Indonesian women. The discussion focuses on activists’ attempts to establish ‘proof’ that these rapes did occur, government attempts to discredit their evidence, and the circulation of false photographs of the rapes on the internet. (An unremarked irony of this falsification of evidence was that it was made possible by the pre‐existence of an archive of sexually violent images on pornographic sites depicting ‘Asian schoolgirls’.) The paper argues that this particular debate over credibility, witnessing and proof needs to be seen within a wider popular Indonesian discourse on the status of evidence, the privileged place of the photograph within it, and the archive of images of (male) students and heroic male‐on‐male violence that helped shape what people could ‘see’ as meaningful political action and recognisable state violence. It also comments on the evidentiary status of witnessing and embodied experience in the age of mechanical and digital reproduction. |
