Apparitions of Desire: Clive van den Berg and the Art of Historical Unknowability

This paper considers the art of South African artist, Clive van den Berg. Van den Berg has long been engaged in a careful exploration of landscapes and their capacity to bear traces of what is no longer known, often in ways that question the archive fever of contemporary historians and cultural activists. In a variety of media – from fire‐installations to oil pastel, from light and wood to acrylic, in video and in mono‐print – he has probed the history of eros and its relationship to the violences of apartheid, simultaneously citing the aesthetic traditions of the Italian Renaissance and Southern Africa. The paper both describes and explicates the aesthetico‐political ambition of the artist's work as it has developed over the last decade, in the aftermath of apartheid's dismantling.