| Abstract: | From the early part of the eleventh century, legendary propaganda was generated by the Tosny family. The Warwickshire branch of the Beaumonts did likewise from the late twelfth century, their efforts culminating in the popular romance Guy of Warwick. Such material was designed to romanticize those activities of the families which had led to their acquiring landed power, and to reinforce a widespread acceptance of the status which they endeavoured to retain in face both of the growing powers of the monarchy, and of economic pressures. By contrast, the families of Beauchamp and Mauduit relied on growing royal power to enhance their position. Beauchamp dominance of Worcestershire through the hereditary enjoyment of the post of sheriff, and Manduit enjoyment of court influence through exercise of the hereditary office of chamberlain, obviated the need to generate a popular image, although both families attracted unfavourable notice in contemporary literature, generated by territorial or professional rivals. When the estates of all four families merged, at the end of the thirteenth century, to form the late medieval earldom of Warwick, the Guy image was consciously revived. John Rous, composing the Rous Roll in 1483, in order to glorify the lords of Warwick, suppressed unfavourable elements, both in this literature and in modern political history, while elaborating on others, reworking the material with the help of current literary themes. |
