Hail ambiguous St Patrick: sounds of Ireland on parade in Birmingham

Birmingham's St Patrick's Day parade claims to be the largest of such events in the UK and the third best attended in the world. Despite resorting to universal advertising proclamations that for one day ‘everyone is a little bit Irish’, this annual march continues to foster the unique musical character of the local diaspora; a metanarrative for the wider, fractious journey of the Irish community into the West Midlands over the past sixty years. This paper examines the primary event in Birmingham's calendar by way of the sounds of the spectacle, considering the musical display that is presented in the processional mode to a static audience sharing city-centre streets one Sunday morning every March. By engaging with the theories on performance of Domenico Pietropaolo, Mikhail Bakhtin and Stephen Greenblatt, this paper argues that it is in the audible space of the parade that Birmingham creates Breda Gray's Ireland ‘of global flows’.