| Abstract: | This article compares the use of nudity in the Carolingian romances Enrique Fi de Oliva and Carlos Maynes, which are both structured around the tale of a falsely accused woman. In Carlos Maynes, the protagonist Empress Sevilla is disrobed several times in her adventures and, at the end, strips of her own accord, along with her son Loui and their supporters, to reconcile with her husband Carlos Maynes. Enrique Fi de Oliva contains more scenes of nudity than Carlos Maynes does. In it, Pepino is reconciled with his sister Oliva, her son Enrique, and their supporters after they have disrobed multiple times. Both romances are about old, ineffective rulers who have perverse advisers. Only the innocence of the heroes and heroines, expressed through their nudity, can overcome the power of the aging leaders' evil allies. If, at the symbolic level, these scenes are about the political rebirth of the monarchy through generational change and new alliances, at the visual level they are quite risqué and often comic episodes that must have had great popular appeal. It is not surprising that Enrique Fi de Oliva, the more explicit of the two works in terms of nudity and humor, was praised by Miguel de Cervantes who, in Don Quixote de la Mancha, expressed admiration for the "exactness" with which it describes everything. |
