| Abstract: | ABSTRACT. The article analyses the oeuvre of Friedrich Kersting (1875–1847), a now largely forgotten Romantic painter, and other gendered images of the German nation that were created among his circle of friends but also in the wider context of the patriotic‐national discourse during the Prussian Wars of Liberation. The paper combines the findings of art historical research with those of history and cultural studies. In so doing, it deconstructs gendered images of the nation in the patriotic‐national discourse during the Wars of Liberation and their political importance during that time. The main focus of the analysis is the interrelationship between visual imagery, discursively formed patriotic‐national concepts in the topical literature, cultural practices and individual experience. |
