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良渚文化玉璧制作工艺初探
引用本文:刘卫东,陆文宝,戚水根. 良渚文化玉璧制作工艺初探[J]. 东南文化, 2009, 0(6)
作者姓名:刘卫东  陆文宝  戚水根
作者单位:上海应用技术学院;中国江南水乡文化博物馆;
基金项目:上海市质量技术监督局科研基金资助,项目编号:B23RJ506
摘    要:中国江南水乡文化博物馆馆藏有16件出土良渚文化玉璧,通过其制作工艺进行研究,结果表明良渚文化玉璧的制作需要经过开料、成形、钻孔、打磨和抛光等各道工序。开料采用线切割的方式;外缘的成形是先将片状玉料切割成方形,然后逐渐倒角、磨圆;中孔由管钻借助解玉砂对钻而成;打磨有粗磨、细磨之分,打磨工具本身含有固定的砂粒;抛光用的是细小的散砂。

关 键 词:良渚文化  玉璧  制作工艺  

Preliminary Study on Crafsmanship of Jade Bi of Liangzhu Culture
LIU Wei-dong LU Wen-bao QI Shui-geng. Preliminary Study on Crafsmanship of Jade Bi of Liangzhu Culture[J]. Southeast Culture, 2009, 0(6)
Authors:LIU Wei-dong LU Wen-bao QI Shui-geng
Affiliation:LIU Wei-dong1 LU Wen-bao2 QI Shui-geng2 (1.Shanghai Institute of Technology,Shanghai 200233,2.China Chiangnan Watery Region Culture Museum of,Hangzhou,Zhejiang 311100)
Abstract:There are 16 pieces of unearthed jade Bi(disc) Liangzhu Culture collected in Chiangnan Watery Region Culture Museum.Through the study of its craftsmanship, the production process should include:a. cutting:to use a method of wire cutting; b.forming:to cut into square first ,then chamfered, then round; c. drilling: to drill from two opposite sides with a pipe and powder sands; d.grinding: to grind coarsely and finely with sands; e.polishing:to fulfill with tiny powder sands ;etc.
Keywords:Liangzhu Culture  jade Bi(disc)  craftsmanship  
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