| 《1973年的弹子球》的孪生性——村上春树小说艺术论之一 |
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| 引用本文： | 尚一鸥.《1973年的弹子球》的孪生性——村上春树小说艺术论之一[J].日本学论坛,2010(1):79-82. |
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| 作者姓名： | 尚一鸥 |
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| 作者单位： | 东北师范大学,外国语学院,吉林,长春,130024 |
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| 基金项目： | 东北师范大学校内青年基金项目 |
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| 摘 要： | 《1973年的弹子球》是村上春树的“青春三部曲”的第二部，问世以来被批评界视为“过渡性”作品予以忽略。本文以作家的写作背景和文本为中心，认为这部作品是日本战后一代的生活经历的凝聚与提炼，从而构成了对形象内心世界的递进式的探索，在主题与艺术手法上均系《且听风吟》的姊妹篇。
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| 关 键 词： | 村上春树 《且听风吟》 《1973年的弹子球》 孪生性 |
Companion of Billiard of 1973:Comment on Artistic Techniques in Murakami Haruki's Novels |
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| SHANG Yi-ou.Companion of Billiard of 1973:Comment on Artistic Techniques in Murakami Haruki's Novels[J].Japanese Study Forum,2010(1):79-82. |
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| Authors: | SHANG Yi-ou |
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| Institution: | SHANG Yi-ou(School of Foreign Languages,Northeast Normal University,Changchun,Jilin,130024) |
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| Abstract: | Billiard of 1973 is Volume II of the Youth Trilogy by Murakami Haruki.Since being published,Billiard of 1973 has been regarded as a transitional work and neglected.This dissertation focuses on its writing background and the text,and points out that Billiard of 1973 is a crystallization of post-war generations' life experiences,also makes a progressive probe into the heart of the characters.Billiard of 1973 and Let's Listen to the Song of the Wind are companion volumes in the theme and writing technique. |
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| Keywords: | Murakami Haruki Let\'s Listen to the Song of the Wind Billiard of 1973 companion |
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