| Abstract: | This article explores Chilean Roberto Bolaño's novel 2666 (2004) with a focus on the significance of what Giorgio Agamben describes as ‘bare life.’ In the novel, Bolaño employs Pedro Páramo as a metaphor to talk about feminicide and violence against women in Santa Teresa, the fictional Ciudad Juárez, Mexico. The victims of violence in Santa Teresa in 2666 are described as ‘más o menos muerto,’ a condition that points to the way in which disappeared and misidentified bodies are forced into eternal anonymity and denied even the right of death. Whereas the dead in Pedro Páramo are denied the rights of citizenship in life, those in 2666 face a denial of rights that extends from life into death, leaving them with nothing, not even their names. In 2666, the physical violence is preceded by what Juárez photojournalist Julián Cardona describes as ‘economic violence.’ |
